Squeeze (The X- Files) - Wikipedia. It premiered on the Fox network on September 2.
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The episode featured the first of two guest appearances by Doug Hutchison as the mutant serial killer Eugene Victor Tooms, a role he would reprise in . Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work.
In this episode, Mulder and Scully investigate a series of ritualistic killings by somebody seemingly capable of squeezing his body through impossibly narrow gaps. The agents deduce that their suspect may be a genetic mutant who has been killing in sprees for ninety years. Production of . Because of this turbulence, the completion of the episode relied on post- production techniques. The episode has subsequently been described by The Star as . He is watched from a storm drain by someone who then sneaks into the building by climbing through the elevator shaft into the ventilation system, and kills Usher by removing his liver.
The investigation into Usher's murder. Fox Mulder (David Duchovny) looks over the case and notes their similarity to earlier murder sprees that occurred in 1. At the crime scene, Mulder notices an elongated fingerprint on the air vent, which he also finds to be similar to some documented in the X- Files. He concludes that because five murders occurred during the earlier sprees, the investigators should expect two more.
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Because Scully believes that the killer will return to the scenes of his earlier crimes, she and Mulder wait in the parking garage of Usher's office building. There, they catch a man named Eugene Victor Tooms (Doug Hutchison) climbing through the air vents. Tooms is given a polygraph test, which includes questions written by Mulder linking him to murders dating as far back as 1. Tooms passes most of the test, but crucially fails the two questions written by Mulder placing Tooms at the historical murders. However, Colton dismisses Mulder's queries as being ridiculous and lets Tooms go. However, Mulder later digitally elongates and narrows Tooms' fingerprints to show Scully that they match the prints at the crime scene. Mulder believes that Tooms is able to stretch and squeeze his body through narrow spaces.
That night, Tooms demonstrates this by squeezing down a chimney to claim another victim. Mulder and Scully find no documentation on Tooms' life.
They visit Frank Briggs (Henry Beckman), a former detective, who recounts his experiences of the investigation into the 1. Briggs brings out old photographs of Tooms. There, Mulder and Scully find a . Mulder suspects that Tooms is a mutant who can hibernate for thirty years at a time after consuming five human livers. As the two leave, Tooms, who is hiding in the rafters, stealthily takes the necklace Scully is wearing as a new trophy.
Mulder and Scully put the apartment under surveillance, but Colton has them taken off the job. Mulder finds Scully's necklace in Tooms' apartment and tries to call his partner, but her phone line has been cut. Tooms breaks into her apartment through a tiny air vent to kill her, but Mulder rushes there and apprehends him first. Tooms is put in an institution for the criminally insane where he begins to build another nest using newspaper. At the institution, Scully informs Mulder that medical tests on Tooms show an abnormal skeletal and muscle system, and a rapidly declining metabolism. When Tooms is given food through a slot in the door, he stares at the thin slot and grins.
Production. Series creator Chris Carter thought that the show could not sustain its momentum unless it branched out from the previously UFO- centered plots. Although the episode has parallels with the second Kolchak film, The Night Strangler (1. Morgan and Wong have stated they were inspired by the serial killers Jack the Ripper and Richard Ramirez. After eating foie gras during a trip to France, Carter proposed the idea that the villain should consume human livers. Morgan noted that the writers settled on the liver because it was .
The idea to have Tooms use a nest for hibernation came from Morgan and Wong; they liked that if the agents were unable to catch Tooms, he could return after weeks of dormancy. However Hutchison impressed the writers with his ability to suddenly transition into attacking behavior, which convinced them to hire him. He related that his portrayal of Tooms was inspired by the . There were many re- shoots. There was a lot of editorial wizardry by Heather Mc.
Dougall. And there was Jim and Glen, who worked on it tirelessly to make it right. When filming the first shot of Tooms' eyes glowing from a storm drain, the production crew arrived too late to secure the street for filming, and a nearby construction crew were temporarily drafted to guard the area. The ventilation system through which the first victim is attacked at night was meant to be of a multistory car park. However, to avoid a costly tenting operation to simulate night- time, a replica of the necessary parts of the ventilation system was built in a lower level of the car park. Exterior shots of Scully's apartment were also filmed in Vancouver, at the same location used in the pilot episode. However, this location's use was later discontinued owing to the limited range of shots it afforded; most reverse angles would show a large car park across the street.
Wong was disappointed with director Harry Longstreet, claiming he did not have respect for the script. Longstreet had failed to film one of the script's scenes, and had not obtained additional camera coverage for the scenes which had been filmed. As a result, Wong and another director, Michael Katleman, re- shot several scenes for additional coverage to complete the episode, and filmed the omitted scene and some inserts.
Hutchison also had difficulty with Longstreet's directing; he found the acting instructions he was given . Morgan said that the episode's production was problematic, feeling that . Duchovny also found issue with Longstreet's direction, and disagreed with the director's take on how Fox Mulder should be portrayed. Describing their different opinions, Duchovny noted . I was like, 'No, this is an amazing discovery! He's not morally culpable, because he's genetically driven.' I judge no one.
They filmed the shot with the camera standing below the contortionist. The chimney, which was .
Using computer- generated imagery, they were able to produce and elongate shots of the contortionist's fingers. Goodwin believed that the contortionist. However, he was able to fit entirely inside the chimney; the production crew only needed to add some sound effects . The crew shot his entrance later, using a larger blue screen set.
These shots were digitally merged so that Tooms would appear to emerge from a much smaller hatch than was filmed. She had previously confronted military officials in . The bureau had at this time seen itself as a law enforcement agency responsible for amassing evidence to prosecute criminal cases. There is a disparity between this approach and public perception of the FBI's role as an organization investigating an objective and apolitical truth; this led to public frustration . Morgan went on to write . The Vince Gilligan- penned second season episode . Club, praised the episode, rated it an A.
However, Shearman and Pearson found the monologue likening the crimes committed by Tooms to the Holocaust, given by the retired detective Briggs, to be . They rated the episode four stars out of five. Mumtaj Begum, writing for Malaysia's The Star, described .
In a guest column for Entertainment Weekly's 1. Neil Gaiman listed Tooms as one of his favorite monsters.
Retrieved February 1, 2. Chris Carter Speaks about Season One Episodes: Squeeze (DVD). The X- Files: The Complete First Season: Fox. Retrieved July 1. Behind the Truth: Squeeze (DVD). The X- Files: The Complete First Season: Fox. Retrieved May 3. 0, 2.
Retrieved August 7, 2. The X- Files: The Complete First Season (booklet).
Retrieved 2. 8 November 2. Retrieved August 4, 2. Audio Commentary for . Sanctuary: The Complete First Season: E1 Entertainment. Retrieved July 7, 2. Retrieved July 1.
Retrieved September 3. Retrieved July 2. Retrieved July 1. Retrieved July 1. Retrieved December 1. Pop. Lit, Pop. Cult and The X- Files: A Critical Exploration.
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X Marks the Spot: On Location with The X- Files. Hurwitz, Matt; Knowles, Chris (2. E.; Flannery, Richard; Louzecky, David (2. Kowalski, Dean A., ed.
The Philosophy of The X- Files. University Press of Kentucky.
The X- Files Declassified. The Truth is Out There: The Official Guide to the X- Files. Shearman, Robert; Pearson, Lars (2. Wanting to Believe: A Critical Guide to The X- Files, Millennium & The Lone Gunmen.
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